Tuesday, December 16, 2014

Debra Ramsay Interviewed on Studio Critical



Debra Ramsay, A Year of Color, Adjusted for Daylength, 2014, acrylic on Dura-Lar, 40 x 60 inches.


Above: Yellow Trail, Fall from the grouping Yellow Trail, Spring, Summer, Fall, Winter, acrylic on museum board, each: 20 x 30 inches.



Debra Ramsay gives insight into her studio practice in an interview with Valerie Brennan for Studio Critical here.

Look for Ramsay's work in a two person show with Alex Paik coming up at TSA in Bushwick; in February of 2015.



Images courtesy of the artist.

Contemporary British Painting @ Saint Marylebone Crypt


Above: Terry Greene



Contemporary British Painting @ St. Marylebone Crypt
Monday 8 Dec 2014 – Thursday 1 Jan 2014
An exhibition of 40 British Painters (organised by Simon Burton)
Edwin Aitken | Amanda Ansell |
Claudia Boese | Jon Braley | Julian Brown | Simon Burton | Andrew Crane | Pen Dalton | Lisa Denyer |
Annabel Dover | Nathan Eastwood | Wendy Elia | Christopher Gee |
Chris Gilvan-Cartright | Terry Greene | Susan Gunn | Alex Hanna |
Marguerite Horner | Barbara Howey | SilvieJacobi | Kelly Jayne | Sue Kennington | Matthew Krishanu | Bryan Lavelle | Nick Middleton |
Andrew Munoz | Stephen Newton |
Gideon Pain | Barbara Peirson | Alison Pilkington | Robert Priseman
| Freya Purdue | James Quin | Greg Rook | Katherine Russell | David
Sullivan | Judy Tucker | Julie Umerle |
Jacquie Utley | Sean Williams
St. Marylebone Crypt 
Saint Marylebone Parish Church
17 Marylebone Road
London
NW1

Winter Group Show @ Gray Contemporary





Gray Contemporary
Houston, TX

Friday, December 12, 2014

Back to the Future, Part 1 and Light Box @ Life on Mars


Yevgeniya Baras, Untitled 1, 2013, oil on canvas, 20 x 16 inches




Back to the Future, Part 1
and in the Project Room: Light Box
Opening December 12, 6 - 9 pm
December 12 - January 11
56 Bogart Street
Brooklyn, NY 11026

Willard Boepple @ Lori Bookstein



Willard Boepple, Inside Out, 2014, aluminum, 84 x 43 x 23 1/2 inches



From the press release:

This exhibition will be comprised of recent sculptures from the “Trestles” series. Karen Wilkin writes of the work: 

Boepple approaches architectural scale in these shambling, animated constructions, which at once evoke industrial artifacts and creatures able to move under their own power. The delimiting frameworks of the “Looms” and “Trestles” and the instantly recognizable supports of the “Ladders,” have here been subsumed by loose-jointed assemblies of linear elements that seem potentially mobile. At the same time, we are aware of the industrial underpinnings of these exuberant sculptures, faint echoes of utilitarian objects constructed with iron beams that return us to the origins of Boepple’s approach to sculpture, when Picasso and González, for the first time, made works of art using the same techniques that were used to build motorcars and tall buildings. [1]

This exhibition will coincide with the release of a new monograph of the artist published by Lund Humphries. Willard Boepple Sculpture: The Sense of Things is written by Karen Wilkin with a forward by Michael Fried. The publication will be available for purchase from the gallery.

Willard Boepple was born in Bennington, Vermont in 1945, and grew up in Berkeley, California. He studied at the Skowhegan School of Painting and Sculpture (1963), the University of California at Berkeley (1963-64), RISD (1967) and CUNY City College (1968). After teaching at Bennington College and the School of the Museum of Fine Arts in Boston, he returned to New York, where he has lived for over thirty years. He has exhibited widely here and abroad, at galleries including Acquavella, AndrĂ© Emmerich, Tricia Collins and Broadbent Gallery, London. His work belongs to such noted institutions as the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Storm King Art Center and The Fitz William Museum in Cambridge, UK. Boepple served as chairman of the Triangle Artists' Workshop for twenty years, an artist residency program which he helped replicate in Africa and the Caribbean. 


[1] Wilkin, Karen. “Openness and Transparency: Ladders and Looms, Towers and Trestles,” Willard Boepple Sculpture: The Sense of Things. Farnham, Surrey, United Kingdom: Lund Humpries, 2014. p. 69. 


Image courtesy of Lori Bookstein Fine Art


Willard Boepple: Sculpture
through December 20
Lori Bookstein Fine Art
138 10th Avenue
New York, NY 10011